Don’t shy away from the camera. Intimacy and remoteness can encapsulate the cycle of connection within constructed photography or in the painting of a picture. The multiplicity of images is a practical recommendation for cementing storytelling; visible expression and composition escort the structures of substance. In this case, rawness in the bedroom and documentation in oil paintings. The comfort of private space, the relationship between beds and ourselves, and the closed conversations uniting two partners accompany singularity. In particularly, the sending of naked photos to a significant other. The accepting of vulnerability through erotic poses, the buildup of feelings, and placement of exclusive interest. In these paintings the audience begins with a single person, a distanced lover. The narrativized other is entangled in dialogue with received stories that stretch space. For this reason, the process becomes an erotic spectacle and active gaze that makes a point of transforming action into subject matter of portraiture.
